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HomeNewsArt Knowledge → Impressionist paintings is same as Chinese traditional freehand brushwork paintings
7 bodhisattva statues of hid in the qing dynasty oil painting reproductions is brassinolide waist  8
Impressionist paintings is same as Chinese traditional freehand brushwork paintings
from:Original  |   date:2015-04-30 0:37:41  |   views:1942

Impressionist paintings is the Chinese freehand brushwork in traditional Chinese paintings
Oil painting is close to a period of a new formulation of the spirit of freehand brushwork, sinicization of oil painting has put forward and discussed earlier, many artists are exploring how to solve this problem, it is very positive. Can the perspective-taking, foreigners to study Chinese painting feeling, like don't like to learn, draw the untypical tunnel, americans own commentary. Chinese painting from western painting, western people also like Chinese see their painting Chinese painting is the same feeling? The complexity of history and reality tell us this analogy is not appropriate, entering China oil painting as early as one hundred years ago, and root, like western cars, planes and telephone, etc. The tide of industrialization into China, like cars, planes and telephone already internationalization, such as painting and internationalization, and we have to admit that Chinese painting is not like painting spread all over the world. At least tens of millions of people in China like oil paintings, at least, nearly ten thousand people like painting oil painting, hundreds of thousands of people work in the related to oil painting professional, professional painter is also more than tens of thousands of people, China is the world's oil painting really big country, the opinions of the majority is also painting powers. Sinicization is inevitable in the development of Chinese oil painting, oil painting freehand brushwork in traditional Chinese painting of the idea is to solve the problem of the sinicization of oil painting, also want to solve how to combine essence of Chinese painting and oil painting art, to create the Chinese cultural spirit and connotation of Oriental aesthetic meaning of the painting. These large culture with strategic thinking should be more art theorist and culture officials, each specific engaged in oil painting professional practitioner think more is how to draw oil painting, I was also has a profound cultural background of China engaged in oil painting artist, I'm trying to study and explore the knowledge and skills of oil painting is in the habit of the Chinese way of thinking and understanding the perspective of external things to think, to practice. Oil painting as a kind of art form of historical and cultural background and can move towards the world, the oil painting art a universal worldwide cultural values of all mankind, the Chinese oil painting and recognition of western literature, music and drama.
Freehand brushwork in traditional Chinese painting is one of the major form of Chinese painting, xieyi painting is the important carrier of Chinese traditional esthetics thought and spirit. Write in traditional Chinese painting, is of rich connotation, have spiritual elements also have technical skills on the exquisite, has inner link with Chinese calligraphy, stress the "how to use writing methods, emphasizes the mastery of ink, the image of the general, written form is directly related to the expression of meaning, writing in the service of meaning, writing is through the form to express meaning, meaning the concept of tangible factors beyond the form again, because the shape of a meaning of the carrier, intangible and no meaning, form and meaning are not up to ever, going to express rich meanings, aimed at first, pen before the first, these are all on the various xieyi painting, Chinese paintings in form between like and don't like is the best interpretation for the freehand brushwork in traditional Chinese. How Chinese painting freehand brushwork spirit and the traditional western realism oil painting find junctions, I have my own understanding and view.
Freehand brushwork in traditional Chinese painting is one of the major form of Chinese painting, xieyi painting is the important carrier of Chinese traditional esthetics thought and spirit. Write in traditional Chinese painting, is of rich connotation, have spiritual elements also have technical skills on the exquisite, has inner link with Chinese calligraphy, stress the "how to use writing methods, emphasizes the mastery of ink, the image of the general, written form is directly related to the expression of meaning, writing in the service of meaning, writing is through the form to express meaning, meaning the concept of tangible factors beyond the form again, because the shape of a meaning of the carrier, intangible and no meaning, form and meaning are not up to ever, going to express rich meanings, aimed at first, pen before the first, these are all on the various xieyi painting, Chinese paintings in form between like and don't like is the best interpretation for the freehand brushwork in traditional Chinese. How Chinese painting freehand brushwork spirit and the traditional western realism oil painting find junctions, I have my own understanding and view.
Oil painting expression of perspective with the traditional Chinese painting is different, painting (representational realism) pursuit is including shape, color, authenticity and objectivity of the space, subjective emotions are implemented on the basis of the above factors, oil painting is very exquisite sexual, calligraphic style and stroke, it is an important symbol of formation of oil painting individuality language, but their a expression of oil painting strictly said both the shape and color and spatial relations, it reflects the complexity of the oil painting performance and professional, also in the long-term development and practice, formed its own rules and principles, this can also be understood as performance regularity of oil painting and art category, broke through the she may people will not be admitted to the oil painting. So disconnection is should follow the principle of oil painting in oil painting, is not a simple one plus one, is not in the traditional Chinese painting freehand brushwork in traditional Chinese painting works of common stroke of a pen, oil painting in the disconnection is mainly embodied in the vitality of the pen and in general, in the western oil painting tradition is very pay attention to the writing of painting, painting of Russian oil painting in the "painting", "write" is the translation, I realize this must include the painting is "writing", and should not be traced, the feeling of writing should be free flowing of vivid, "write" is the understanding of form and expression, and summarized the "write" accomplishment and reflects the artist's modelling ability, the painting is very rich, the concept of "meaning" in the performance of the "meaning" both in the pen and in color, the overall image throughout the planning process, the painting is meant to overall image visual effect, if pure about the use of oil painting brush strokes of the Chinese traditional Chinese painting freehand brushwork in traditional Chinese painting brushwork transplanted directly, really a bit neither fish nor fowl, above the oil painting in the pursuit of performance, and the spirit of Chinese painting freehand brushwork in traditional Chinese aesthetic pursuit is similar place, just different ways and means to express, only on the premise of comply with the laws of good art of bold exploration and practice will be meaningful is valuable.
Painting freehand brushwork spirit in China, focusing on China, with the aid of western oil painting art expression and basic methods, and China's reality of soil, with the Chinese aesthetic Angle of view in the fate of the people of the land, living condition, emotion and they live in the nature, is the best interpretation of oil painting freehand brushwork spirit. Oil painting takes root in China of one hundred years, is bound to a resonance with the Chinese cultural spirit, a kind of mutual influence, such as integration, Chinese painting oil painting on the way how much will be using some of the Chinese painting techniques, some of them are born in one brand with the culture, there are a lot of talented artists in their works very well into Chinese freehand brushwork in traditional Chinese painting technique, very has the Chinese aesthetic temperament and interest, fortunately, wish them on this road more walk more wide. But I feel the oil painting freehand brushwork spirit which should not be formalized superficial, only stay on the brushwork, how to work the inner spirit of carrying Chinese taste that is we should pursue. As long as with a realistic observation method, true to real life experience, grasp their own emotional experience, using various performance rule and method of oil painting, can draw a good painting of China, we should have the confidence, we have a lot of outstanding painter with their emotional work confirmed that we can do it, we have to do, we will do better. Is the emphasis on the spirit of freehand brushwork painting a broad definition of the sinicization is not can not have other idea, need to rigorous academic concept, an idea to withstand logical and academic scrutiny. Write just means, which is the purpose, writing is to express meaning. Write there are all kinds of writing, the expression of meaning from our colorful life and natural, what is important is how to write to, say so much, it is to draw our own national good painting, painting process of sinicization is inevitable, is also a gradual relatively long process, we haven't really experienced the height of the western oil painting mature and in the second half of the nineteenth century Russian tour school who works in the depth of the social thought and skill level is still difficult to rev and growth of China's oil painting is the need to go through or around the past? The achievements of western oil painting, one thousand two hundred years ago for today's cultural forms are not apply, if no real price or why we still will be moved? In the development of oil painting a lot of problems still confused us. Emphasis on Chinese oil painting freehand brushwork spirit is to solve the best choice for the development of Chinese oil painting, I praise the idea of also have reservations at the same time, with works in practice to talk, I want to draw the Chinese like painting, my favourite words is "good painting is the absolute principle".

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